Review: “Bohemian Rhapsody”

The story of the British rock band Queen and their front man Freddie Mercury gets the Hollywood treatment in the new bio pic Bohemian Rhapsody (20th Century Fox, 2018).

Named after one of Queen’s iconic songs, Bohemian Rhapsody is told mostly from the point of view of Freddie Mercury, expertly played by actor Rami Malek in the film. Born Farrokh Bulsara in 1946, Mercury and his family (who are of Parsi descent) moved from India to England when he was a teenager. The film picks up where Mercury meets soon-to-be Queen band members Brian May, Roger Taylor, and John Deacon for the first time in the London club scene.

The film then primarily focuses on Mercury’s relationships with the band, with the band’s management and record company, and with his girlfriend Mary Austin. Mercury’s well-known sex-drugs-and rock-and-roll and bi-sexual lifestyle is also clearly addressed, but kept within PG-13 boundaries.

Where the film really soars is with the scenes showing the creative process of the band as they make some of their best loved recordings, including “Bohemian Rhapsody” itself (pictured below).

All images ©️ 20th Century Fox

Where the film really didn’t work for me was in its overly-melodramatic retelling of the events of Mercury’s life, with many of the facts and actual timeline of events being altered and moved for dramatic effect.

For example, the film has the band breaking up and then reuniting right before the 1985 Live Aid concert. In reality, the band never broke up. (Rolling Stone magazine has a great fact checking article about the film here.) To also add drama and gravitas to the Live Aid concert, the film portrays Mercury as receiving his AIDS diagnosis before Live Aid and then revealing the sad news to the band at a rehearsal before the show. This also didn’t happen (Mercury most likely received the diagnosis in 1986 or 1987, long after Live Aid; he died from AIDS-related complications in 1991).

I get it that some kind of artistic license has to be taken in order to condense things into feature film length and format, but the decisions made with the script turned the film into more of a standard bio pic that you might see on TV instead of something more artistic and special that’s worthy of Mercury’s talent, persona, and esteem.

Still, the film’s re-creation of the Live Aid concert which bookends the film is positively electric and is worth the price of admission alone. The filmmakers made a very smart decision by putting one of the band’s all-time great performances as the final thing you see in the film, viewing Mercury and the band at their artistic peak and giving Rami Malek and the rest of the actors and creative team a chance to bring to life again one of the great moments in rock history.

Bohemian Rhapsody is rated PG-13 by the Motion Picture Association of America for “thematic elements, suggestive material, drug content and language.”

My score: 3 out of 5

And as an added bonus, here’s a clip of Queen performing “Radio Ga Ga” at the actual Live Aid concert at Wembley Stadium in London on July 13, 1985.

Review: “The Nutcracker and the Four Realms”

Clara has a big new (emphasis on new) adventure in Disney’s latest CGI extravaganza The Nutcracker and the Four Realms.

“Inspired by” the short story The Nutcracker and the Mouse King written by E.T.A. Hoffmann (1776-1822) and The Nutcracker ballet by ballet master and choreographer Marius Petipa (1818-1910), the film tells an original story written by screenwriter Ashleigh Powell (this is her first produced screenplay). Co-directors Lasse Hallström and Joe Johnston have taken Powell’s story and have given it a beautiful look, even if the actual contents of the story itself are a bit lacking.

The film, as in the ballet that we’re all so familiar with, is focused on a young girl named Clara, played by Mackenzie Foy (this is where the similarities with the traditional Nutcracker end). Clara lives in London with her father and her two siblings. Sadly, Clara’s mother has recently passed away and the family is experiencing their first Christmas without her. On Christmas Eve before the family departs for a big party, the father gives each of the children a sentimental gift from their mother. Clara receives a beautiful golden box, but it requires a key in order for it to be opened—a key which she currently does not possess.

At the party, which is at the expansive estate of Clara’s godfather Drosselmeyer, played by Morgan Freeman (I guess using the Drosselmeyer character is also a similarity to the source material), each of the children in attendance receives a gift, but the gifts are attached to the end of a series of individual strings which have been strung throughout the home. For Clara’s gift, her string leads her outside of her godfather’s home and into a magical, mysterious parallel world. She spots a key in a pine tree, but she is quickly thwarted in retrieving it and thus begins Clara’s journey into the “four realms” as stated in the film’s title.

While in the four realms, Clara joins forces with a soldier named Phillip, played by Jayden Fowora-Knight (who is about as close to a “nutcracker” that we get in the movie). She also meets the Sugar Plum Fairy, played by Keira Knightley, and Mother Ginger, played by Helen Mirren, who are both at war with each other. Clara and Phillip get caught in the middle of the ongoing battle and must navigate it while trying to stay on task to the find the key to unlock the golden box.

The film gets off to a promising and beautiful start, but what follows is a pretty simplistic (and rather boring, at least for this adult) story that never really gains much momentum. The production design is a real knockout, but without a compelling and interesting story, it all becomes an exercise into thinking about what might have been.

On the plus side, the original score by James Newton Howard along with components of The Nutcracker ballet by Pyotr Tchaikovsky are all lovely. The score was conducted by classical music superstar Gustavo Dudamel, who is currently the music director of the Los Angeles Philharmonic. Dudamel also makes a couple of brief cameos in a cool homage to Walt Disney’s original Fantasia. Here’s a tweet from Gustavo Dudamel himself about it.

The film also has two really stunning ballet segments—one during the film and one during the end credits—featuring the renowned ballerina Misty Copeland. Misty,  who is principal ballet dancer for the prestigious American Ballet Theatre, talks about her experience in the featurette below from the Walt Disney Studios YouTube channel.


While I love a good Disney family movie, The Nutcracker and the Four Realms ended up having more style than substance. Still, the little kids who attended the screening I was in enthusiastically clapped at the end of the film, which was a clear reminder that I’m probably not the target audience for this one.

The Nutcracker and the Four Realms is rated PG by the Motion Picture Association of America for “some mild peril.”

My score: 2.5 out of 5 stars

As an added bonus, here are some cool posters for the film courtesy of Walt Disney Pictures and Poster Posse.

All images ©️ Disney

Review: “First Man”

La La Land director Damien Chazelle and actor Ryan Gosling have teamed up again for a completely different type of film–this time, it’s the very personal journey of astronaut Neil Armstrong and the U.S.A.’s first manned mission to the moon.

First Man (Universal Pictures, 2018) focuses on the decade leading up to the historic NASA Apollo 11 flight in 1969 where Neil Armstrong (played by Ryan Gosling) became the first man to walk on the moon. Told primarily through Armstrong’s point of view (the film is based on the authorized biography First Man: The Life of Neil A. Armstrong by James R. Hansen), the story shows first-hand the sacrifices, the dangers, the successes, and the extreme personal costs of being a part of  the “space race” in the 1960s.

I’ve heard comments about how slow the film is, and it’s true. If you’re expecting an epic, fast paced, feel good film, this isn’t it. Instead, Damien Chazelle and team give us a methodical and cerebral experience in an attempt to personalize what it must have been like to live through this. Armstrong and his wife Janet (expertly played by Claire Foy) both sacrifice a lot as Neil and the NASA team pursue this incredibly lofty and challenging goal, and the film made me, well, feel it.

The film also makes you feel the physical turbulence of traveling through the earth’s atmosphere into outer space, so much so that it’s made some movie goers feel ill. So, be aware of that if you’ve got a tendency towards motion sickness. Personally, I only felt awe and exhilaration in experiencing what it might have been like being on one of the NASA Apollo spaceships. 

Probably what I liked most about First Man is just that–it made me feel something. As a movie goer, I felt the high stakes of the mission, the physical challenges, the emotional battles, and, ultimately, an interpretation of what it feels like to truly walk on the moon.

First Man is rated PG-13 by the Motion Picture Association of America for “some thematic content involving peril, and brief strong language.”

My score: 5 out of 5 stars

As an added bonus, here’s an official trailer for the film.

All images ©️ Universal Pictures

Review: “A Star Is Born” (2018)

The latest version of the romantic tragedy A Star Is Born (Warner Bros., 2018) opened in U.S. theaters a couple of weeks ago and I finally got a chance to see it.

Starring Bradley Cooper and Lady Gaga, this is the fourth Hollywood retelling of this classic story of love, sacrifice, and loss. Like the most recent version (the 1976 remake with Barbra Streisand and Kris Kristofferson), this 2018 version is set in the rock/pop music world. (Both the 1937 original and 1954 remake were set in the Hollywood film business.)

Here’s the official plot summary from Warner Bros. (just in case you’re not familiar with the story): “In this new take on the tragic love story, [Bradley Cooper] plays seasoned musician Jackson Maine, who discovers—and falls in love with—struggling artist Ally [Lady Gaga]. She has just about given up on her dream to make it big as a singer…until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.”

The MVP award goes to Bradley Cooper, who not only starred in the film, but directed it (it’s his first feature film) and co-wrote the screenplay. The film also marks the first starring role in a major motion picture for Lady Gaga. Both are very credible in their respective roles as lovers and musicians with opposite trajectories. The film also has a stellar supporting cast with Sam Elliott, who plays the older brother and manager of Bradley Cooper’s character, Andrew Dice Clay, who plays Lady Gaga’s father, and Dave Chapelle, who plays Cooper’s friend and former bandmate.

It’s a well-made, high quality film that people are loving and I’m good with that. I really have only two beefs with it. I’m just not a big Lady Gaga fan and the up-close and personal time with her on the big screen did little to change that. And, I don’t see why this story needed yet another retelling. Sure, the music is good and Bradley Cooper and team did a nice job in their adaptation and “modernization,” if you will, of the storyline. Still, the film ends the same way as the other ones did and we’re left with the same sad results.

A Star Is Born is rated R by the Motion Picture Association of America for “language throughout, some sexuality/nudity and substance abuse.”

My score: 4 out of 5 stars

As an added bonus, here’s a clip and montage from the film, courtesy of the Warner Bros. Pictures YouTube channel.

All images ©️ Warner Bros.

Review: “Christopher Robin”

Christopher Robin grows up but still has some important lessons to learn in the charming Christopher Robin (Disney; 2018).

Disney has reinvented its venerable Winnie the Pooh franchise once again, this time turning the stuffed animals from the A.A. Milne’s Hundred Acre Wood into 3D computer generated characters that (somehow) co-exist in the human world. The film answers a couple of interesting questions in the process—what happens to Winnie the Pooh, Piglet, Eeyore, et al, when Christopher Robin grows up, and what if Christopher Robin loses his way as an adult?

Set in England, Christopher Robin is now a hardworking war veteran employed by a luggage company in London. His job is demanding and stressful and it pulls him away from spending more time with his wife and daughter. Adhering to narrative rules that would be home in any Narnia book, Winnie the Pooh is able to find his way to London and quietly and gently begins to set things straight.

Image ©️ Disney

Ewan McGregor does a great job playing the war-torn and world-weary adult Christopher Robin. The lovely and talented (and underused in this film) Hayley Atwell plays his wife Evelyn, and Bronte Carmichael plays their daughter Madeline, who is the character suffering the most in the film with her dad lost in the business world and emotionally MIA at home. Voice actor Jim Cummings is back in the role as both Winnie the Pooh and Tigger. Brad Garrett expertly steps into the role of Eeyore. The rest of the cast is excellent, too.

This gentle, deliberate film never takes itself too seriously or delivers its message with a heavy hand or a zany punch. Instead, director Marc Forester uses a more old fashioned tone which some might view as slow, but I found it be refreshing and endearing. So much so, that this film will probably appeal more to adults than children. Basically, it just made me want to hug all of these photo-realistic CG stuffed animals and return to the innocence of childhood—a place full of clarity, goodness, and wonder.

Disney fans should also be happy with the new songs written by Richard Sherman, the surviving member of the great Sherman Brothers songwriting duo who wrote the classic songs for Disney’s original Winnie the Pooh shorts. Make sure to stay through the end credits.

Christopher Robin has been rated PG by the Motion Picture Association of America (MPAA) for “some action.”

My score: 4 out of 5 stars

As an added bonus, here’s the cute one-sheet poster from the U.S. release of the film.

Image ©️ Disney

Review: “Mission: Impossible – Fallout”

Mission: Impossible – Fallout (Paramount; 2018) is a terrifically entertaining chapter in this spy series with all of the twists, turns, drops, and masks (!) that you could hope for.

Tom Cruise is back again for the sixth installment of the series (based on the popular TV series of the same name which ran from 1966 to 1973 on the CBS television network) as IMF (Impossible Missions Force) agent Ethan Hunt. Our hero has chosen to accept another dangerous mission fighting international terrorists and the big question, as with most espionage-themed films, is who are all of the players and where do their loyalties lie.

Of course, the story has lots of Tom Cruise running, climbing, jumping, flying, and other dangerous pastimes in pursuit of the bad guys. But a pleasant surprise to my eyes was that Cruise seemed to share the screen more with his fellow stars than in other films in the series. And the supporting cast are worthy of sharing film time with–Ving Rhames, Simon Pegg, Alec Baldwin, Rebecca Ferguson, and even Michelle Monaghan are back for more action, along with Henry Cavill, Angela Basset, and Vanessa Kirby joining the cast.

Image ©️ Paramount Pictures

For me, the real star of the film is writer and director Christopher McQuarrie. Returning again to the director’s chair for this latest installment of the Mission: Impossible series (he also directed the series’ fifth and previous film, 2015’s Mission: Impossible – Rogue Nation), McQuarrie has such an excellent eye for stunning and compelling action scenes as well as for beautifully composed shots for drama and dialogue. I was particularly impressed with the location shots in Paris and London in this film and loved seeing these cities and landmarks beautifully filmed and wonderfully integrated into the storytelling.

Go see Mission: Impossible – Fallout and have a blast–literally and figuratively. (Also, I loved seeing this film in IMAX and would highly recommend seeing it in this super-sized format if at all possible.)

Mission: Impossible – Fallout is rated PG-13 by the Motion Picture Association of America (MPAA) for “violence and intense sequences of action, and for brief strong language.”

My score: 4 out of 5 stars

As an added bonus, here’s the original (and cool) one-sheet poster for the film.

Image ©️ Paramount Pictures

Review: “Ant-Man and the Wasp”

Size-shifting antics and side-splitting laughter abound in Marvel Studios’ new comedy action film Ant-Man and the Wasp.

A sequel to 2015’s fun and funny Ant-Man, this new film picks up after the super hero showdown in 2016’s Captain America: Civil War where we last saw Scott Lang/Ant-Man (again played by Paul Rudd). Lang, who is now on house arrest after his Civil War stint using the height-altering Ant-Man suit, reunites with Dr. Hank Pym (Michael Douglas) and his daughter Hope Van Dyne (Evangeline Lilly) after certain events lead them to believe that Pym’s wife and Hope’s mother Janet Van Dyne (Michelle Pfeiffer) is still alive somewhere in the sub-atomic “Quantum Realm” where she’s been missing for decades. Pym works on a new way to get into the Quantum Realm and, as teased at the end of the first Ant-Man film, creates an updated super suit for Hope (with wings!), making her The Wasp just like her mother was all those years ago.

It turns out that other people (shockingly) are also interested in the tech that Hank Pym, Hope, and Scott are working on. Pym’s former S.H.I.E.L.D. colleague Dr. Bill Foster (Laurence Fishburn) and a spooky personage known as “Ghost” (Hannah John-Kamen) have some mysterious and questionable motives. Also to the disadvantage of our heroes is an overzealous Federal agent (Randall Park) who is determined to bust Scott Lang at violating his house arrest.

©️ Marvel Studios

The film is like candy–really fun to watch and easy to digest, even if it perhaps lacks much substance. The cast, most of which were in the original film, are back along for the ride and are all great, particularly scene stealers Michael Peña as Lang’s ex-con buddy Luis and Abby Ryder Fortson as Lang’s adorable daughter Cassie. The special effects are also silly fun as buildings, people, and different objects galore–everything from cars to buildings to a PEZ dispenser–change size to accommodate the needs of our heroes.

Peyton Reed is back in the director’s seat and he does another terrific job with this sequel. And even though we’d still all love to see Edgar Wright’s version of Ant-Man (Wright left the first film after creative differences with the Marvel Studios team), Reed delivers a film that is again so quick, clever, and wacky, that I think it holds up on its own (and Reed’s own) merits.

It goes without saying, but make sure to stay through the end credits, too.

Rated PG-13 by the Motion Picture Association of America for “some sci-fi action violence.”

My score: 4 out of 5 stars

And as an added bonus, here’s the original one-sheet poster which I think is swell as well.

©️ Marvel Studios

The Incredible “Incredibles”

Hopefully, you’ve all had the chance to see Pixar Animation Studios‘ latest animated wonderment Incredibles 2. And, hopefully, you’ve had a chance to see that it’s absolutely killing it at the U.S. box office, too. I had the chance to see  both the original film, The Incredibles (2004) and its newly released sequel at a special IMAX and Pixar sponsored screening last week and it was movie-going bliss for this animation fan.

Writer and director Brad Bird and his talented team at Pixar created a total home run when The Incredibles hit theaters in the summer of 2004. Witty, thought-provoking, action-packed, and beautifully animated, the film about a family with superpowers delivered in a big way.

Now, 14 years later, the Parr family is back right literally where the first film left off with the family taking on the super villain the Underminer, who is attacking their city of Municiberg. After the fight with the Underminer doesn’t go exactly as planned and the superheroes (aka “supers”) have to go back into their undercover mode again, Bob Parr (aka Mr. Incredible, voiced again by Craig T. Nelson), his wife Helen Parr (aka Elastigirl/Mrs. Incredible, voiced again by Holly Hunter), and their superhero buddy Lucius Best (aka Frozone, and also voiced again by Samuel “F-ing” L. Jackson) meet up with billionaire businessman Winston Deavor (voiced by Bob Odenkirk) and his inventor sister Evelyn Deavor (voiced by Catherine Keener) who have an interesting proposal to bring the supers back into the limelight.

(Image ©️ Disney/Pixar)

Family dynamics are front and center as Elastigirl/Mrs. Incredible goes back to work, leaving Mr. Incredible home to take care of the kids. Terrific humor and incredible action scenes abound as Elastigirl uncovers a dastardly plot while Mr. Incredible has to deal with his kids’ relationships, homework, and superpowers. Nothing is stupid here and no gender is better than the other–it’s really just a great story about a family figuring things out and working together.

(Image ©️ Disney/Pixar)
(Image ©️ Disney/Pixar)

While the sequel can’t capture the perfection of the first film (what can?), writer/director Brad Bird and team still deliver a wonderfully solid film with a compelling storyline, brilliant animation, and emotions and situations that ring, well, incredibly true. Watch The Incredibles again on Blu-ray or streaming and then go see Incredibles 2 in theaters and have a great time at the movies.

Incredibles 2 is rated PG by the Motion Picture Association of America for “action sequences and some brief mild language.”

My score: 5 out of 5 stars

P.S. There’s a scene with absolutely knock-out animation that uses lighting effects that mimic a strobe light. This warning was prominently placed at multiple places throughout the multiplex where I saw Incredibles 2 again over the weekend. The animation in that sequence is stunning and it’s unfortunate if it’s causing problems for anyone.

Review: “Solo: A Star Wars Story”

Solo: A Star Wars Story is a gangster/action movie hybrid that is just pure, unadulterated fun.

The second of Lucasfilm’s “anthology” series of films set in the Star Wars universe but not part of the saga’s episodic storyline (2016’s Rogue One was the first one of these anthology films), Solo is an origin story of sorts, recounting adventures in the early years of the life of the smuggler Han Solo.

The daunting task of playing the beloved character iconically established in the series by actor Harrison Ford goes to Alden Ehrenreich and he does a terrific job in not only emulating Harrison Ford, but in making the character all his own. Check out this clip when Harrison Ford recently crashed in on one of Alden Ehrenreich’s press interviews:

Han’s co-pilot and BFF Chewbacca is also, thankfully, in the pic and is played again by the extremely tall Finnish actor Joonas Suotamo (follow Joonas on Twitter to see some hilarious pics of him overshadowing, well, most everybody). Also returning for this origin story is gambler and playboy Lando Calrissian brilliantly played by the brilliant Donald Glover.

L-R: Phoebe Waller-Bridge as L3-37, Alden Ehrenreich as Han Solo, and Donald Glover as Lando Calrissian in SOLO. (Image ©️ Lucasfilm)

The film has a slew of new characters, too–both digitally created and real. In the digital category is Lando’s sidekick robot L3-37, voiced by Phoebe Waller-Bridge, and an alien pilot named Rio Durant, voiced by Jon Favreau.

In the real category, the main cast is filled out with some very cool actors, including Woody Harrelson as Han’s mentor Tobias Beckett, Thandie Newton as Beckett’s partner in crime Val, Emilia Clarke as the femme fatale Qi’ra (pronounced “Kira”), and Paul Bettany as crime lord Dryden Vos.

Emilia Clarke as Qi’ra in SOLO. (Image ©️ Lucasfilm)

The film is set in between Star Wars – Episode III : Revenge of the Sith and Episode IV: A New Hope (sorry about the timeline error in my original post). At the beginning, we meet a young Han Solo who is trapped in a horrible work camp on the planet of Corellia. He decides to break out and join the evil Galactic Empire so he can become a pilot (and for that reason alone; he hasn’t jumped teams, he’s just looking out for himself). While as a soldier in the Empire, he teams up with criminals Beckett, Val, and Rio on a smuggling mission which then sets his course into becoming the Han Solo that we know and love.

As mentioned previously, the film really is a glorious combo of a gangster movie (some are calling it a Western, and that works, too) along with a deliriously entertaining action movie. The action scenes truly are breathtaking (just wait for the infamous Kessel Run as mentioned in Star Wars – Episode IV: A New Hope).  And the film’s plot is both clever and comfortable, staying interesting while also staying firmly planted within the Star Wars mythology. Kudos are in order to the great Lawrence Kasdan and his son Jonathan who wrote the terrific script.

Director Ron Howard, who was brought on the film late into the process after the film’s original directors were fired due to creative differences, delivers a home run. While it’s unclear to those of us outside of Lucasfilm what scenes were reshot after Howard took over the director’s chair, he was still able to deliver a supremely entertaining and very Star Wars-feeling summer movie (and he brought the movie in on time, too, which I think was a Herculean feat). And it goes without saying that all technical aspects of the film are absolutely marvelous, thanks to the technical wizards at Industrial Light and Magic, a group that I hope we will never take for granted.

Overall, Solo is an extremely entertaining romp through the Star Wars universe. It’s so much fun to have new big screen experiences like this in the galaxy far, far away. Get some popcorn and a soft drink of your choice and go have a wonderful time at the movies.

My Score: 4.5 out of 5 stars

Rated PG-13 by the Motion Picture Association of America for “sequences of sci-fi action/violence.”

As an added bonus, check out this exclusive IMAX poster for Solo (and see the movie in an IMAX theater if at all possible; it’s totally worth it).

(Image ©️ Lucasfilm)

 

Review: “Avengers: Infinity War”

This review is spoiler-free–I promise. #ThanosDemandsYourSilence

The screen is crowded and the stakes are high for all (well, most) of our favorite “Marvel Cinematic Universe” (MCU) superheroes in Marvel Studios’ ambitious and engaging superhero mashup Avengers: Infinity War.

Avengers: Infinity War is a culmination of a series of character arcs, themes, and storylines that have been going on for the past decade from the prolific and talented folks at Marvel Studios. It’s taken 10 years and 18 films to get us to this point, but with Avengers: Infinity War, we finally get to truly meet the big baddie who’s been pulling the strings and wreaking havoc on Earth and elsewhere in Marvel Studios’ carefully crafted and intertwined plot line–the mean purple people killer from outer space, Thanos (excellently voiced by Josh Brolin; pictured above).

Thanos has one goal–to kill half of the residents of Earth and every other planet. In order to complete his nefarious task, he needs the six “infinity stones”–each with their own color and power and most of which have been introduced at one point or another within the MCU films–placed within his Infinity Gauntlet glove which will make him powerful enough to get the job done. (Refer to this Time article for an infinity stones primer/recap.) While up until now Thanos has been relying on and manipulating others to collect the infinity stones for him, he’s finally had enough of waiting and is hell-bent on getting all of six stones himself, no matter the cost.

Cover for Thanos’ Infinity Gauntlet comic saga. (Image ©️ Marvel)

It’s going to take a lot to bring Thanos down, so thank goodness there are lots of Marvel superheroes throughout the MCU galaxy that are up to the task. Everybody from Iron Man (again played with great aplomb by Robert Downey Jr.) to Captain America (Chris Evans) to the-new-to-the-Avengers Spider-Man (Tom Holland) to Doctor Strange (Benedict Cumberbatch) to Black Panther (Chadwick Boseman) to Star-Lord (Chris Pratt) and his “Guardians of the Galaxy” team are reunited and on-board to try to take out this dastardly and devastating villain wherever he may be in the universe.

The whole gang is back in action for AVENGERS: INFINITY WAR. (Image ©️ Marvel)

The results are pretty great. What could have easily turned into a convoluted mess, with so many characters and plot lines converging into one massive film, is a successful and fun action picture of the first order. Watching the film feels like reading a comic book (and I mean that as a complement); the action is brisk, the dialogue is crisp and clever, and the pacing is rarely plodding and always purposeful. One of the big strengths of the MCU films is the cast and that continues–the actors are so appealing and the terrific banter between them is a big part of the continued enjoyment of the experience of the MCU series of films.

Kudos to Anthony Russo and Joe Russo (aka the Russo Brothers) who directed the film along with screenwriters Christopher Markus and Stephen McFeely (who also successfully collaborated with the Russo Brothers on Captain America: The Winter Soldier and Captain America: Civil War) who all had the unenviable task of putting together this massive and high-profile project. Hardcore MCU fans should hopefully feel rewarded by the choices made by the filmmakers. And while casual MCU fans might get a little confused with all of the characters and all of the mayhem happening on the screen, there’s still enough exposition that the film really should be a fun and entertaining ride for anyone and everyone who sees it.

One thing to keep in mind (and I don’t think this is a spoiler), but the Russo Brothers and team filmed this movie and another Avengers movie at the same time. Originally when announced, the films had the titles Avengers: Infinity War Part One and Part Two. Currently, this next film’s working title is Avengers: Untitled (title TBA) and it is scheduled to be released  in May 2019. Just sayin’.

My score: 4.5 out of 5 stars

Rated PG-13 (Parents Strongly Cautioned) by the Motion Picture Association of America for intense sequences of sci-fi violence and action throughout, language and some crude references.

As an added bonus, here are some cool Avenger: Infinity War posters with five of the six infinity stone colors represented. (All images ©️ Marvel)