TCM showed West Side Story (1961) on the big screen a few days ago as part of their ongoing Big Screen Classics series and I can’t stop thinking about it. With the brilliant direction from Robert Wise and Jerome Robbins, to the masterful music and lyrics by Leonard Bernstein and Stephen Sondheim, to the electric performances by the entire cast, it’s no wonder this film is so beloved.
Here’s one of my favorite musical numbers from the movie, the “Tonight” quintet and chorus.
I’m also very excited about the news that director Steven Spielberg is set to remake the musical. We need its message now more than ever.
Many thanks to TCM and Fathom Events for bringing these classic films to the big screen for us film lovers to learn from and enjoy.
When it was released in 1958, Vertigo was not a success. In fact, critics dismissed it and the film bombed at the box office. According to OpenCulture.com, Hitchcock himself kept the film out of circulation entirely between 1973 and his death in 1980.
It wasn’t until the passing of Alfred Hitchcock that critics and cinephiles began to more seriously take notice (although the film had the strong allegiance of early fans as evidenced in the interview below with director Martin Scorsese).
“Even though its rehabilitation as a classic was well under way at the time, I remember my first viewing being something of a disappointment, too. I was hoovering up Hitchcocks from their TV airings in my mid-teens, high on Psycho and Notorious, and found the whole structure of this one broken and bewildering. It didn’t satisfy my early notions of what ‘Hitchcockian’ meant, and the lure of it as romantic fantasy probably didn’t strike much of a chord either. Next to the addictive wickedness of his other thrillers, it was an oddly foreign proposition, arty and stilted-seeming.
“What I hadn’t realised is that Vertigo is the ultimate grower. If its laboriously slow ascent to the highest stratum of critical adoration has proved anything, it is that. In its very bones, the movie is about a repetitive pattern of romantic obsession, and it is entirely fitting that such a pattern makes more sense the more we see it repeated: it’s an experience that gets correspondingly more deep and dreamlike with every viewing, echoing further back into the reaches of the subconscious. There’s something quasi-religious about returning to it, knowing all the mistakes that Stewart’s Scottie Ferguson is going to make all over again, and recognising every facet of Kim Novak, from ethereally seductive to seemingly guileless to manipulative and doomed.”
Vertigo is also available on Blu-ray and your favorite digital download platforms, but don’t miss this opportunity to see the special 60th anniversary screening of this cinema classic on the big screen. Check the Fathom Events website for times and locations and for information about upcoming TCM Big Screen Classics.