The plan is to watch one film a week from the list below (which is taken directly from Jeremy Arnold’s Essentials book), read Jeremy Arnold’s take on what makes the film “essential,” read any other pertinent writings and relevant information about the film, and then blog and/or podcast about my experience and learnings.
The always awesome Turner Classic Movies (TCM) Classic Film Festival is happening next April 11-14, 2019 in Hollywood, California.
Today, six more titles were added to the list of films being screened.
The Great K & A Train Robbery (1926), a silent western film starring Tom Mix and Dorothy Dwan; directed by Lewis Seiler
Kind Hearts and Coronets (1949), a comedy starring Dennis Price, Valerie Hobson, and Alec Guinness; directed by Robert Hamer
Marty (1955), the Academy Award-winning romantic drama starring Ernest Borgnine and Betsy Blair; directed by Delbert Mann
Open Secret (1948), a film noir starring John Ireland, Jane Randolph, and Sheldon Leonard; directed by John Reinhardt
Outlaws of Red River (1927), another silent western starring Tom Mix, Marjorie Daw, and Tony the Wonder Horse; directed by Lewis Seiler
Winchester ‘73 (1950), a western starring James Stewart and Shelley Winters; directed by Anthony Mann
With the theme of “Follow Your Heart: Love at the Movies,” the festival lineup keeps getting better and better. For the latest information and updates, visit tcm.com/festival. We hope to see you in Hollywood next April!
The magical and mysterious Mary Poppins is back again in London to help out the Banks family in Mary Poppins Returns, a new sequel from Walt Disney Pictures.
Yes, this film is a sequel to, not a remake of, the classic 1964 film which starred Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns, et al. Author P.L. Travers wrote eight Mary Poppins books, so it’s not like it’s a totally out-there idea to do a sequel, even if it’s been over 50 years since the first film was released. However, with the current remake-happy management team running the Walt Disney Studios, a sequel originally sounded like a creatively bereft idea, at least to me. The 1964 film is such an iconic work that I felt this possibly could be a very misguided, reductive, and disastrous project.
However, now that I’ve seen the film, I have put those worrisome thoughts to rest because this sequel is pure delight. It’s definitely an homage to the 1964 original (I believe the filmmakers have been referring to this new film as a “love letter” to the original), but it also stands on its own as a high quality, highly entertaining, and highly emotional (in a good way) classic Hollywood musical.
Here’s a fun little featurette about the film:
The story picks up 25 years after the original. Jane and Michael Banks have grown up. Michael (played by Ben Whishaw) is, sadly, a widower who is raising his three children on his own and has also fallen on hard financial times. Jane (played by Emily Mortimer) is an activist (taking after her mother) and a devoted sister and aunt, but the family is still in a bit of a crisis.
Enter Mary Poppins (wonderfully played by Emily Blunt), who flies back in to 17 Cherry Tree Lane to get the Banks family back on track in her own unique and enchanting way. Also along for the ride is Jack the lamplighter (or “leery”; expertly played by Broadway star Lin-Manuel Miranda) in the sidekick role similar to Dick Van Dyke’s Bert in the original.
The entire cast is stellar. It also includes Julie Waters as the Banks’ family maid, Colin Firth as president of the bank where Mr. Banks used to work and where Michael Banks is currently employed, Meryl Streep as Mary Poppins’ cousin Topsy, Angela Lansbury as the balloon lady, and even Dick Van Dyke himself shows up in a brief but meaningful cameo.
Along with the great cast, the film’s creative team are the ones who really brought this positive and whimsical film to life. Director Rob Marshall (Chicago, Into the Woods) along with the terrific songwriting team of Marc Shaiman and Scott Whittman (Hairspray) have been able to create a new film in which everything old is new again and which, like the original, doesn’t have a snarky or cynical bone in it.
Take your family and friends over the Christmas holiday to experience this charming, cathartic, and optimistic film together.
Mary Poppins Returns is rated PG by the MPAA for “some mild thematic elements and brief action.”
My score: 5 out of 5 stars
And as an added bonus, here are a couple of fantastic posters for the film.
A new poster, trailer, and official name dropped today for Marvel Studios‘ next Avengers movie, Avengers: Endgame. (Have I mentioned lately how much I love these Marvel Studios movies?!) We’ll find out what our superheroes do to defeat the evil Thanos on April 26, 2019.
Turner Classic Movies (TCM) has announced the 14 films that will be included in their 2019 Big Screen Classics series. TCM screens these films in movie theaters across the U.S.A., giving film lovers the chance to see classic films on the big screen as they were intended to be seen. Also included with each screening is commentary before and after the film from Ben Mankiewicz and other TCM hosts that provides context, insights, and other pertinent details about the film. All in all, it’s always a great time at the movie theater.
It’s all about Christmas movies this month. In the podcast, I give a review of the musical Scrooge (1970), one of my favorite film retellings of Charles Dickens’ A Christmas Carol. The film is available on Amazon.
Nine films were previously announced for the festival. Now today, TCM has announced five more films, including the opening night film, When Harry Met Sally with director Rob Reiner and actors Billy Crystal and Meg Ryan in attendance.
With the theme of “Follow Your Heart: Love at the Movies,” the festival lineup is starting to take shape. The other four films announced today fall right into the festival’s theme:
The Clock (1945), romantic drama starring Judy Garland and Robert Walker; directed by Vincente Minnelli
Indiscreet (1958), romantic comedy starring Cary Grant and Ingrid Bergman; directed by Stanley Donen
Love in the Afternoon (1957), romantic comedy starring Gary Cooper and Audrey Hepburn; written and directed by Billy Wilder
Mad Love (1935), the horror/obsession film starring Peter Lorre and Frances Drake; directed by Karl Freund
Also, the TCM network will celebrate its 25th anniversary on closing night of the festival. It’s all exciting stuff for classic film lovers! We hope to see you in Hollywood in April!