Not wanting to make anyone feel old (myself included), but can you believe that Grease has been the word for 40 years?
After making its debut in movie theaters in the summer of 1978, Grease, directed by Randal Kleiser and based on the hit Broadway musical by Jim Jacobs and Warren Casey, is still one of the world’s all-time favorite Hollywood musicals. To celebrate the film’s 40th anniversary, Paramount Pictures, Turner Classic Movies (TCM), and Fathom Events are screening this raunchy and revered film across the U.S.A. this week as part of the TCM Big Screen Classics series (ticket info is here.). Paramount is also releasing a new 40th anniversary edition of the film on Blu-ray, Digital, and 4K Ultra HD on April 24.
Hot off of the 1977 mega hit film Saturday Night Fever, John Travolta was able to show off more dance moves and his great comedic timing as leading man and supposed tough guy Danny. And making her film debut was country singer Olivia Newton-John as the innocent and lovestruck Australian transfer student Sandy. The chemistry between the two stars is clearly one of the contributors of the film’s lasting appeal, not to mention the outstanding supporting cast of Stockard Channing, Jeff Conaway, Eve Arden, Dody Goodman, Joan Blondell, Sid Caesar, Frankie Avalon, and others.
But I think it’s the music that keeps Grease alive. The film’s soundtrack was a monster hit. From the unforgettable opening fanfare of the title track (written with a disco vibe by the Bee Gees’ Barry Gibb and sung with perfection by Frankie Valli; check out this awesome YouTube clip below of Valli performing the song in 1978 on the TV dance show Soul Train), to Olivia Newton-John/Sandy crooning about her hopeless devotion to John Travolta/Danny, to the whole gang singing their hearts out about their forever friendship even after high school graduation, the soundtrack is non-stop nostalgia and fun.
Here’s the film’s original trailer from 1978.
As an added bonus, here’s the film’s original one-sheet poster, also from 1978.
Enjoy Grease again on the big screen and at home this month. And remember, as Eve Arden/Principal McGee says, “if you can’t be an athlete, be an athletic supporter.”
Prepare yourself for a truly wild ride with Steven Spielberg’s film adaptation of Ready Player One. Based on the popular book by Ernest Cline (Cline also co-wrote the screenplay), this fantasy adventure film is a nostalgic trip into the action films of Spielberg’s past and a futuristic romp into the CGI-heavy filmmaking of today.
The story is set in a dystopian United States of America in the year 2045, where overcrowding, pollution, war, and disease have taken a significant toll on the country. A virtual reality game world known as the OASIS provides a welcome escape to people everywhere. In the OASIS, you can be anything and anyone (as long as you’ve got the credits and lives to keep yourself going, just like in any video game).
The OASIS was created by a Bill Gates-type figure named James Halliday (played by Mark Rylance). When Halliday dies, a message is delivered to the world that he has concealed the ultimate “Easter egg” (a hidden message or inside joke) somewhere inside the expansive game and that the user who finds the egg will inherit his fortune and become full owner of the OASIS game world. Not only do gamers everywhere decide to try to locate the Easter egg (OASIS gamers looking for the egg are known as “Gunters,” short for “egg hunters”), a corporation named IOI (Innovative Online Industries), run by CEO Nolan Sorrento (played by Ben Mendelsohn), uses its tremendous resources and aggressively tries to get the egg as well in order to take control of the OASIS and gain a great competitive advantage in the marketplace.
Our hero, Wade Watts (played by Tye Sheridan), a teenage orphan who lives in a poverty stricken area of Columbus, Ohio and who spends much of his time in the OASIS to get a break from his difficult circumstances, decides to be a Gunter with the hopes of finding the egg and greatly improving his life. Known by the avatar “Parzival” in the game, Wade/Parzival enlists the help of his four main virtual friends in the OASIS, together known as the “High Five”: his best virtual friend “Aech” (we learn more about Aech in the movie), a teenage girl named Samantha, aka”Art3mis” (played by Olivia Cooke), and virtual brothers Toshiro Yoshiaki, aka “Daito” (Win Morisaki), and Akihide Karatsu, aka “Sho” (played by Phillip Zhao).
What follows is a non-stop pop culture extravaganza as these Gunters in the OASIS try to outwit the other gamers and IOI in order to keep advancing in the game to find Halliday’s egg. Anything goes with the gamers’ avatars and you will have a blast spotting all of the different movie, TV, comics, and video game references during the film’s scenes set in the OASIS. For example, more obvious references include Doc Brown’s famous DeLorean from the Back to the Future movies that Wade/Parzival drives during the car racing games and the Iron Giant replica that Aech is building to use in the game based from, well, Brad Bird’s 1999 animated classic The Iron Giant.
Everything from Monty Python and the Holy Grail (which is one of my favorite gags in this film) to Gundam is fair game here and used with wild and clever abandon. I’m sure there are plenty of references that I missed but, hopefully, will be picked up through subsequent viewings and from movie fans on the internet (The New York Times prepared an excellent primer here). There are also some great homages to other films as well, including Stanley Kubrick’s The Shining, Ridley Scott’s Alien, and many others.
Steven Spielberg and his team have done an extremely impressive job with storytelling in this very entertaining live action/CGI film. While most of the action takes place inside the computer-generated OASIS, the film still feels like a Spielberg film. He again enlisted his longtime cinematographer Janusz Kaminski and both the live-action and CGI camera work is superb. The great soundtrack by Alan Silvestri is augmented by some fantastic 1980s pop songs which work perfectly in context of the film, too.
Probably what I appreciated most is that Spielberg used his deft and masterful touch in keeping the focus and tone of the film constant, entertaining, and fun, even with the incredible (and potentially overwhelming) amount of CGI present throughout. And the film never loses sight of the important truth that while virtual reality has its place, it’s actual reality that makes life worth living.
When it was released in 1958, Vertigo was not a success. In fact, critics dismissed it and the film bombed at the box office. According to OpenCulture.com, Hitchcock himself kept the film out of circulation entirely between 1973 and his death in 1980.
It wasn’t until the passing of Alfred Hitchcock that critics and cinephiles began to more seriously take notice (although the film had the strong allegiance of early fans as evidenced in the interview below with director Martin Scorsese).
“Even though its rehabilitation as a classic was well under way at the time, I remember my first viewing being something of a disappointment, too. I was hoovering up Hitchcocks from their TV airings in my mid-teens, high on Psycho and Notorious, and found the whole structure of this one broken and bewildering. It didn’t satisfy my early notions of what ‘Hitchcockian’ meant, and the lure of it as romantic fantasy probably didn’t strike much of a chord either. Next to the addictive wickedness of his other thrillers, it was an oddly foreign proposition, arty and stilted-seeming.
“What I hadn’t realised is that Vertigo is the ultimate grower. If its laboriously slow ascent to the highest stratum of critical adoration has proved anything, it is that. In its very bones, the movie is about a repetitive pattern of romantic obsession, and it is entirely fitting that such a pattern makes more sense the more we see it repeated: it’s an experience that gets correspondingly more deep and dreamlike with every viewing, echoing further back into the reaches of the subconscious. There’s something quasi-religious about returning to it, knowing all the mistakes that Stewart’s Scottie Ferguson is going to make all over again, and recognising every facet of Kim Novak, from ethereally seductive to seemingly guileless to manipulative and doomed.”
Vertigo is also available on Blu-ray and your favorite digital download platforms, but don’t miss this opportunity to see the special 60th anniversary screening of this cinema classic on the big screen. Check the Fathom Events website for times and locations and for information about upcoming TCM Big Screen Classics.
Disney’s most recent adaptation of A Wrinkle in Time is an artistic, purposeful, and meaningful one (along with a few wrinkles here and there).
Based on the 1962 Newberry Award-winning fantasy young adult novel by American author Madeleine L’Engle, the film tells the story of Meg Murry (played by Storm Reid), a high-school aged girl who is unsure of her place in the world and who is still grieving the loss of her scientist father (played by Chris Pine) who has been missing for many years.
When Meg’s little brother Charles Wallace (played by Deric McCabe) introduces her to strange supernatural friends named Mrs. Whatsit (played by Reese Witherspoon) and Mrs. Who (played by Mindy Kaling), and, later, Mrs. Which (played by Oprah Winfrey), Meg, Charles Wallace, and Meg’s school friend Calvin (played by Levi Miller) embark on a journey through time and space to rescue Meg’s father who is being held against his will on another planet by a nefarious, dark force.
This is the Walt Disney Studios’ second attempt at filming A Wrinkle in Time. A made-for-TV version was completed in 2003 and was pretty much DOA, showing once on ABC in 2004 and then being relegated to home video. When asked about what she thought about the adaptation, Madeline L’Engle said “I’ve glimpsed it…I expected it to be bad, and it is.”
Director Ava DuVernay (Selma) and screenwriter Jennifer Lee (writer and co-director of Walt Disney Animation Studios’ Frozen) took on an ambitious and challenging task in adapting again this beloved yet complicated book into a feature film. The results are mixed–the pacing is uneven, some of the characters’ motives don’t seem quite right (or at least not in line with logic and/or the source material), and the characters’ interactions with the excessive and sometimes sloppy CGI occasionally tipped the scales into confusing and/or ridiculous territory.
However, Ava DuVernay and her team have crafted overall a wonderful work of art. Each scene in the film had a very noticeable sense of intimacy, of artistry, and of care. Each costume, from Meg’s simple flannel shirt to Mrs. Which’s architecturally inspired hair styles, provided visual interest, uniqueness, and wonder. Each set and setting were created carefully and with skill and expertise. And the timeless themes of familial love, fighting darkness with light, being courageous, and being yourself are presented with honesty and with a deft touch.
While the filmmakers and others are calling this interpretation of A Wrinkle in Time a black girl-power movie, I think of it more as a kid-power movie–a film where all children can start thinking about the importance of using their brains to solve problems and of using their hearts to fight the darkness both within and without themselves.
My rating: 3.5 out of 5 stars
As an added bonus, check out this cool poster made for the film’s exclusive IMAX screenings.
Jim Henson’s 1982 ambitious fantasy puppet epic The Dark Crystal is enjoying a bit of a resurgence. A new Netflix prequel series has been announced along with a new 4K Ultra HD + Blu-ray + Digital HD home release happening. To celebrate, Universal Pictures and The Jim Henson Company have also been screening the film in theaters across the U.S. in conjunction with Fathom Events. One more screening is happening on March 6. I had the chance to go to one of these Fathom Events screenings last week and it was a trip to see this film again on the big screen.
The Dark Crystal is an original story and an elaborate mythology created by Henson and his team. It centers on the land of Thra which has been divided and desolate for hundreds of years due to a “cracking” of a giant Crystal that used to provide peace and balance. The broken Crystal caused a group named the UrSkeks to divide into two–the evil Skeksis and the good Mystics. A prophesy was made that a third group called the Gelfings would heal the Crystal and restore the land. The nasty Skeksis then decided to kill off all of the Gelfings so the prophecy wouldn’t take place.
Enter our heroes, two Gelfings named Jen (the one with the brown hair) and Kira (the blonde) and Kira’s dog-like creature Fizzgig. The two are the last known Gelfings in the land thanks to the Skeksis’ killing everyone else off. Can these two find the shard from the broken Crystal and restore the land of Thra? You’ll have to see the movie to find out!
(On a side note, when I was doing a Google search to find an image of Jen and Kira, this pic came up with the caption “The Olsen twins do Dark Crystal cosplay at the last Met Gala.” Mean, but funny.)
Co-directors Jim Henson and Frank Oz worked with British fantasy artist Brian Froud on creating the unique and detailed aesthetic for the film (a great article about Brian Froud is here; he is also responsible for the look and design of another elaborate Henson fantasy– 1986’s Labyrinth). Here’s some Dark Crystal concept art by Brian Froud.
The Dark Crystal has an impressive mix of puppets and animatronics, all created by Jim Henson’s renowned Creature Shop. Jim Henson and Frank Oz decided early on that they didn’t want any humans populating this world, so this film only contains puppet characters. The film also is loaded with practical effects and miniatures. It’s truly a creative tour de force.
While The Dark Crystal is an admirable work, I can’t say that it’s my favorite film. The detailed fantasy aesthetic is remarkable, but just not necessarily my taste. Still, I really enjoyed marveling at all of the creative puppetry and impressive filmmaking that it took to bring this film to life. If you get a chance, check out The Dark Crystal on the big screen on March 6 (more info is at FathomEvents.com) or enjoy the new 4K Ultra HD + Blu-ray + Digital HD release which will also be available on March 6.
Marvel Studios’ latest film Black Panther is a marvelously entertaining and engaging film that works on many levels–levels of plot, character development, symbolism, and meaning that make this more than your average superhero movie.
Created by comic book legends Stan Lee and Jack Kirby, T’Challa, a.k.a. the Black Panther, first appeared as a Marvel comic book character in the 1960s in an issue of Fantastic Four. T’Challa comes from the fictional African country of Wakanda, home to an unusual substance called “vibranium” which has allowed the country to prosper in remarkable ways–so remarkable, that its leaders decide to keep the country’s very existence a secret from the rest of the world. T’Challa has some mad physical skills and abilities achieved through drinking a special “heart-shaped herb” exclusive to Wakanda; he also relies on his own hard work with his studies and physical training to take out his enemies and to protect his people.
Black Panther’s first appearance in a film within the current Marvel Studios’ “Cinematic Universe” was his memorable introduction in 2016’s Captain America: Civil War (highly recommended viewing if you haven’t seen it). For this new film, the story picks up shortly where Captain America: Civil War left off: T’Challa/Black Panther (played by Chadwick Boseman) is grieving the death of his father, King T’Chaka (played by John Kani), who was tragically killed via the big baddie of Civil War, Zemo (played by Daniel Brühl). T’Challa returns home to hidden Wakanda to take his rightful place as king. However, trouble and intrigue lurk when T’Challa’s cousin Erik Killmonger (played by Michael B. Jordan) decides to travel from America to Wakanda and make his move on the throne, too.
As T’Challa is about to face this serious threat, he is taking on the heavy burden of deciding the fate of his country–should Wakanda stay hidden to the world or should it share its abundant wealth and technological resources with other nations and, importantly, other Africans around the world to help them with their struggles and needs, too?
What follows is a genre swirl of a political and family drama, a high energy action film, and a Shakespearean tragedy that all work surprisingly well together. The script is so solid on every level. And the entire story is presented with unflinching honesty and generous humanity towards African history, racial strife, and many other challenges facing people around the world today.
Writer and director Ryan Coogler pulled together an incredible team both in front of and behind the camera. The cast is universally terrific. I was also taken with the stunning African-inspired art direction and production and costume designs. This letter penned by Ryan Coogler after the film’s record-breaking opening weekend has been making its way around social media this week.
“Wakanda Forever” is not only a battle cry, but an idea, a hope, and a prayer for a better future for all people of African descent, and, hopefully, for all mankind. Black Panther shows through its levels of excellent storytelling and filmmaking that the struggle is real, compassion and charity never fail us, and that a positive outlook on the future far outweighs carrying forward the sins of the past.
My rating: 4.5 out of 5 stars
As an added bonus, here’s a Black Panther poster I love by artist Kaz Oomori.
Studio Ghibli, the wonderful Japanese animation studio founded by animation legends Hayao Miyazaki and Isao Takahata, is sending more of their classic films to U.S. theaters again in 2018. After a successful run of screening six of their films last year on the big screen under the guise of “Studio Ghibli Fest 2017,” Studio Ghibli along with the film distributor GKIDS will be screening a whopping nine films in over 700 theaters across the U.S.A. for their upcoming Studio Ghibli Fest 2018.
If you are a Studio Ghibli or anime fan (or both), you will love seeing these digital prints of these beautiful films on the big screen. Theater listings and tickets are now available on the Fathom Events website. Both English dubbed and subtitled versions will be shown (check the Fathom Events site for details). Here’s a graphic with the full lineup (courtesy of the GKIDS Facebook page) so you can save the dates on your calendar.
GKIDS also provided these official film summaries and images, too.
Ponyo – 10th Anniversary Sunday, March 25; Monday, March 26 and Wednesday, March 28
When Sosuke, a young boy who lives on a cifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea. Miyazaki’s breathtaking, imaginative world is brought to life with an all-star cast, featuring the voices of Cate Blanchett, Matt Damon, Lily Tomlin, Liam Neeson and more.
The Cat Returns Sunday, April 22; Monday, April 23 and Wednesday, April 25
Haru is walking home after a dreary day of school when she spies a cat with a small gift box in its mouth crossing a busy street, and she jumps in front of traffic to save the cat from an oncoming truck. To her amazement, the cat gets up on its hind legs, brushes itself off, and thanks her very politely. But things take an even stranger turn when later than night, the King of Cats shows up at her doorstep in a feline motorcade.He showers Haru with gifts, and decrees that she shall marry the Prince and come live in the Kingdom of Cats!
Porco Rosso Sunday, May 20; Monday, May 21 and Wednesday, May 23
Porco Rosso is a world weary flying ace-turned-bounty-hunter, whose face has been transformed into that of a pig by a mysterious spell. When he infuriates a band of sky pirates with his heroics, the pirates hire Curtis, a hotshot American rival, to get rid of him. But with the help of the teenage girl Fio, an aspiring airplane designer, and sultry lounge singer named Gina, Porco takes to the skies for what may be his final high-flying showdown.
Pom Poko Sunday, June 17; Monday, June 18 and Wednesday, June 20
From the legendary Studio Ghibli, creators of Spirited Away, and Academy Award®-nominated director Isao Takahata, comes an action-packed ecological fable about the clash between nature and human civilization.
The tanuki (raccoon dogs) of Tama Hills find their fun-loving community under attack when their quiet woodlands are threatened by encroaching developers looking to create still more houses and shopping malls. Desperate to survive, the tanuki band together and learn the ancient art of transformation, shape-shifting into a comical variety of humans and spirits as they undertake a last-ditch plan to scare away the humans and save their home, in this deeply-affecting, funny and heartfelt look at what it means to live in the modern world.
Princess Mononoke Sunday, July 22; Monday, July 23 and Wednesday, July 25
Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into bitter conflict between Lady Eboshi, the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home and the forest spirits and animal gods who live there.
Featuring the voices of Gillian Anderson, Billy Crudup, Claire Danes, Minnie Driver, Jada Pinkett Smith and Billy Bob Thornton.
Grave of the Fireflies – 30th Anniversary Sunday, August 12; Monday, August 13 and Wednesday, August 15
Directed by Academy Award®-nominated Isao Takahata, Studio Ghibli’s Grave of the Fireflies has been universally hailed as an artistic and emotional tour de force.
As the Empire of the Sun crumbles upon itself and a rain of firebombs falls upon Japan, the final death march of a nation is echoed in millions of smaller tragedies. This is the story of Seita and his younger sister Setsuko, two children forced to fend for themselves in the aftermath of fires that swept entire cities from the face of the earth. Their struggle is a tribute to the human spirit. Presented in its digitally remastered and restored format, Grave of the Fireflies is one of the rare films that truly deserves to be called a masterpiece.
My Neighbor Totoro – 30th Anniversary Sunday, September 30; Monday, October 1 and Wednesday, October 3
Celebrate the 30th anniversary of My Neighbor Totoro, from the legendary Studio Ghibli, creators of Spirited Away, and Academy Award®-winning director Hayao Miyazaki. When Satsuki and her sister Mei move with their father to a new home in the countryside, they find country life is not as simple as it seems. They soon discover that the house and nearby woods are full of strange and delightful creatures, including a gigantic but gentle forest spirit called Totoro, who can only be seen by children. Totoro and his friends introduce the girls to a series of adventures, including a ride aboard the extraordinary Cat Bus, in this all-ages animated masterpiece featuring the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning, in a classic tale of magic and adventure for the whole family.
Spirited Away Sunday, October 28; Monday, October 29 and Wednesday, October 30
Hayao Miyazaki’s Academy Award®-winning masterpiece Spirited Away was the biggest box office hit of all time in Japan and helped redefine the possibilities of animation for American audiences and a generation of new filmmakers.
Chichiro thinks she is on another boring trip with her parents. But when they stop at a village that is not all that it seems, her parents undergo a mysterious transformation, and Chihiro is whisked into a world of fantastic spirits, shape-shifting dragons and a witch who never wants to see her leave. She must call on the courage she never knew she had to free herself and return her family to the outside world.
Combining Japanese mythology with Alice in Wonderland-type whimsy, Spirited Away cemented Miyazaki’s reputation as an icon of animation and storytelling.
Castle in the Sky Sunday, November 18; Monday, November 19 and Wednesday, November 20
Castle in the Sky is a timeless stor of courage and friendship, with stunning animation from acclaimed Academy Award®-winning director Hayao Miyazaki.
This high-flying adventure begins when Pazu, an engineer’s apprentice, spies a young girl, Sheeta, floating down from the sky, held aloft by a glowing pendant. Both Sheeta and Pazu are searching for the legendary floating castle, Laputa, and they vow to travel there together to unravel the mystery of the luminous crystal. But their quest won’t be easy, as soon they are being pursued by greedy air pirates, the military, and secret government agents, who all seek the power Sheeta alone can control.
The English-dubbed cast includes the vocal talents of Anna Paquin, James Van Der Beek, Cloris Leachman, Mark Hamill, Mandy Patinkin and more.
Star Wars: The Last Jedi, the eighth episode of the Star Wars saga that began with George Lucas’ original film from 1977, hit theaters last week. The internet has been abuzz about the movie (to say the least; more on that at the end of the review). More importantly, the world has another Star Wars film to enjoy, dissect, and ponder upon. The fact that in 2017 we have yet another all-new Star Wars movie in theaters is a modern-day miracle which I definitely do not take for granted.
The new film begins right where 2015’s Star Wars: The Force Awakens (aka Episode VII) left off. The evil First Order is still ruling the galaxy with an ever tighter grip, even after their Starkiller Base was destroyed by the Resistance fighters. Rey (played by Daisy Ridley) has been tasked by General Leia (in the late Carrie Fisher’s final time in the role) to go to the ancient Jedi temple on the planet of Ahch-To where her brother Luke Skywalker (played by Mark Hamill) has been in hiding for years to try to recruit him back into the fight and restore hope to the Resistance. As we saw in The Force Awakens, Rey arrives on the island, hands Luke his family lightsaber, and awaits for his response.
What follows is an unconventional, thought-provoking, emotional, surprising, and highly entertaining cinematic adventure. Writer and director Rian Johnson (and, clearly, the story group at Lucasfilm) made some bold and controversial choices for the film’s narrative and for all of Star Wars moving forward. And, frankly, as the stewards of the Star Wars universe, the choices were theirs to make.
First, the decision to portray Luke Skywalker as a broken, bitter man was an unorthodox one. Devastated that his nephew Ben Solo (played by Adam Driver) turned to the dark side of the Force while under his tutelage, Luke carries a burden that completely shuts him down. He retreats from the Force and from life, existing in a state of numbness. When Rey shows up and basically wakes him up out of his deeply depressive condition, Luke has some decisions to make. Should he return to his sister Leia’s side and to the Resistance? Should he train Rey in the ways of the Jedi? Or should he continue on his current path of nothingness?
It’s difficult to watch your fictional childhood heroes go through a painful, and very human-like, trial. Yet, by making Luke more human, he ultimately becomes more heroic. After Luke re-opens himself to the Force, his Jedi master Yoda (again voiced by Frank Oz, and in puppet form!) visits him as a Force ghost and, in his inimitable style, frees Luke of the burden he’s been carrying. The burning of the Jedi tree and library looked to me like a representation of the Resistance symbol and, more importantly, of a Phoenix rising.
Next, the “wars” part of Star Wars is in full force, so to speak, as the Resistance continues their losing battle against the First Order. After General Leia gets severely injured, Vice Admiral Holdo (played by Laura Dern) takes her place. Hot-shot (and hot-headed) pilot Poe Dameron (played by Oscar Isaac) clashes with her on how to run things. When it’s discovered that the First Order can track the Resistance fleet through light speed, Poe secretly sends former stormtrooper Finn (played by John Boyega) and Rose Tico (played by Kelly Marie Tran) on a dangerous mission to disable the tracker.
This subplot with Finn and Rose was also an interesting decision. While some (myself included, initially) might view this as a waste of time and space, upon further reflection, I believe this part of the storyline was crucial in Finn’s character arc of figuring out how he fits in to the overall picture of the Resistance. It helps him solidify what he believes in and what’s he willing to sacrifice for it. When the mysterious DJ (played by Benicio Del Toro), a rogue that Finn and Rose meet on the casino planet Canto Bight, teaches Finn about the complications of war and how both sides are buying weapons and machinery from the same people, Finn’s eyes are opened and he is able to make a more informed decision about how he wants to live his life.
The most dynamic and interesting relationship in the film is between Ben Solo/Kylo Ren and Rey. Both characters are on parallel paths with different destinations. Kylo has chosen the path of the dark side of Force, while Rey continues to be a ray of light. When Supreme Leader Snoke (played in performance capture by Andy Serkis) uses the Force to bring the two of them together in multiple conversations and interactions during the course of the film, the chemistry between them is electric. The story effectively gives both characters the chance to switch alliances, so to speak, in a compelling way that furthers the storyline and shows what Rey and Kylo are truly made of. (And get ready for one of the coolest fight scenes in any Star Wars film when Rey and Kylo join forces for a moment to fight against Snoke’s Praetorian Guards.)
For me, The Last Jedi was a continual wonder. The plot and decisions were logical yet unpredictable. The production design, art direction, and all special effects were top notch. If I have a complaint, the runtime of The Last Jedi was perhaps just a bit too long.
About the internet backlash surrounding the film, the New York Times has a nice summary about what’s been going on. I’m sorry that something as marvelous and miraculous as a new Star Wars movie has made people so angry and sad. I mostly just wish that people could evaluate something on its own merits rather than putting their individual expectations on something that they had no input in creating. And I wish for civility and decency in all online communications from all sides and from all viewpoints (myself included).
Go see The Last Jedi on the biggest screen possible, leave your preconceived notions at the door, and enjoy the ride.
My rating: 4.5 out of 5 stars
Bonus Posters! Here are three fantastic posters for Star Wars: The Last Jedi designed by Japanese artist Kaz Oomori for PosterPosse.com.
Welcome to my new movie blog. I thought it would be appropriate for the first entry in my blog to honor my all-time favorite movie, Warner Bros.’ classic Casablanca (1942) which recently celebrated its 75th birthday.
Casablanca is in the national filmgoing consciousness, whether one realizes it or not. The number of quotable quotes from the film alone make it probably one of the, well, most quoted films ever (just a sample: “Here’s looking at you, kid,” “I think this is the beginning of a beautiful friendship,” “Round up the usual suspects,” and the often misquoted line “Play it, Sam”). But it’s the film’s themes of duty, honor, self-sacrifice and finding love within a world gone mad that keep me coming back for more.
Although Casablanca took home three Academy Awards in 1943 for Best Picture, Best Director, and Best Adapted Screenplay, according to an article on TCM.com, “Casablanca did not truly strike a resounding chord with American culture until about 20 years after its 1942 release. In the 1960s, a few years after Humphrey Bogart’s death in 1957, a movie theater called The Brattle [which still shows classic films; I’ve added it to my bucket list] in Cambridge, Massachusetts started reviving Casablanca for three weeks every year, drawing enthusiastic and increasingly larger crowds. Eventually, fans started showing up wearing trench coats and snap-brim hats like Bogie. These fans would even recite dialogue with the film…”