The Walt Disney Studios’ latest remake is a live-action/photorealstic CGI retelling of their 1992 animated hit musical Aladdin.
Thankfully, the storyline and the music in this remake remain mostly the same as the beloved 1992 original. Aladdin, played by Mena Massoud, is still a “diamond in the rough”—an orphaned “street rat” who is much more of a man than his appearance and situation shows. Upon the fateful meeting in the town’s marketplace with the kingdom’s princess, Jasmine, played by Naomi Scott, who has disguised herself to get a break from her trapped life in the gilt cage of the palace, the two form an instant connection. However, the laws of the kingdom of Agrabah where they live require the princess to marry a prince, and Jasmine has many princely suitors who are vying for her hand.
Enter the Genie, who in this version is played by a CGI-concoction of the actor and rapper Will Smith. After Aladdin gets trapped in the Cave of Wonders (again, very similar to the 1992 original), he becomes the master of the lamp and Genie grants him three wishes. So, of course, Aladdin wishes to be made a prince in order to have a chance with the Princess Jasmine. However, the sultan’s duplicitous vizier Jafar, played by Marwan Kenzari, has other things in mind for this new prince who appears to have won over the Princess’ heart.
The new script for the film, co-written by John August and the film’s director Guy Ritchie, makes a few modifications and most of them work. The animal sidekicks remain—Abu the monkey, Rajah the tiger, and Iago the parrot—but instead are photorealistic CGI creations. Iago undergoes the most drastic character change of being truly just a parrot rather than the wise-cracking comic relief from the original, and the results are mixed. A more defined emphasis on Jasmine’s abilities and independent attitude is underlined with some added dialogue as well as a new song for the film written by Alan Menken and collaborators Benj Pasek and Justin Paul (composers of the music for the Broadway hit musical Dear Evan Hansen and the musical film The Greatest Showman).
Will Smith stepped into absolutely impossible shoes trying to reprise actor Robin Williams’ and animator Eric Goldberg’s performances as the Genie. Smith tries very hard to make the role his own and I felt like he succeeded part of the time. I think the CGI artists are partly to blame here, since trying to make the Genie be as manic and shapeshifting as in the 1992 film (not to mention all of the blue skin and altered head and body features, too) works better in a 2D/traditional animation aesthetic than in a style rooted in realism that is used in all of these “live-action” remakes.
Director Guy Ritchie adds his usual stylistic flair, but I was surprised that his usual camera and editing tricks were somewhat understated for this film. The production values are high, as is the case in all of these Disney remakes, with beautiful cinematography, sets, and costumes. Probably the most appealing thing about this film, other than being able to hear Alan Menken’s wonderful music again, is the overall chemistry with the actors. The casting choices were solid (the CGI performance of Will Smith’s Genie notwithstanding) and the actors were all appealing in their attractiveness and abilities. Particularly, Mena Massoud and Naomi Scott as Aladdin and Jasmine have the sort of on-screen spark and rapport that makes going to the movies so fun.
Overall, Aladdin is an entertaining retelling of a story that didn’t need to be retold. If you don’t plan to make it to the theater to see this one, the 1992 animated feature you’ve already got in your home movie library is really the only version you need.
Aladdin is rated PG by the Motion Picture Association of America for “some action/peril.”
My score: 3 out of 5 stars
As an added bonus, here’s the IMAX poster.
All images ©️ Disney
